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When we had finished beginners' lessons, we could do a hand-spring, and somersault forward or back, and some of us could run at the Vaulting-horse and swing ourselves over straight-standing on our hands....

From anywhere in the Bull Court, you could see the Bull of Daidalos. It was called so after its first deviser, though since then every part of it had been renewed a dozen times, save for the fine bronze horns worn smooth with unnumbered hand-grips. Everyone said the horns were Daidalos' own handiwork. There was a perch in the hollow body, between the shoulders, where the trainer's boy would sit to work the levers which made the head swing or toss. We would dance and sway out of the way, while Aktor shouted, "No! No! Move as if he was your lover! You lead him on, you give him the slip, you make him sweat for you; but it's a love-affair and the whole world knows it." It was the youths he thus exhorted, rather than the girls; for this was Crete.

We learned on the Bull of Daidalos how dancers can save each other and themselves: how to twine the bull's horns with your legs and arms so that he cannot gore you; how to grasp the horns from before and from behind and sideways, in leaping on and in getting away; how to confuse him by covering his eyes. You are not allowed to harm him, even to save your life; he is the dwelling palce of the god.

At first I did not see how such things could be possible with an able-bodied bull. But in Crete they have been bred to the bull-dance for a thousand years. They are splendid to look at: huge, strong, and with great godlike heads; but they are slow, and the wits have been bred out of them. One that was brisk and busy, like the bulls at home, and wouldmake his kill before there had been a show, was used for sacrifice. Still, Cretan bulls are bulls when all is said; you can never be sure of them. When they grow helpful, and seem to know the dance as well as you do, that is the time to beware.

In the second month of our training, we saw the bull-dance for the first time...

-Theseus of Athens, team leader of the Cranes, The King Must Die
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If you're reading this, you're probably interacting with Thalestris ICly or considering doing so. This is an OOC note to let you know what's going on.

Thalestris is canonically a prisoner of Bronze Age Minoan civilization. Specifically, she's a bull-dancer in Knossos in about 1250 BCE. That means she is dressed roughly like the people in the Knossos palace frescoes seen here:

http://www.dilos.com/dilosimages/image/crete/knossos_bull_leapers_frescoe.jpg

According to her canon, both the male and the female bull-dancers dress like that all the time. Whether they're in the ring or merely training or practicing, or going to dinner somewhere, that's their basic get-up: boots, the little loin-guard, hand-wraps, and some jewelry. In her canon, a bull-dancer who's been around for a while and attracted attention will very rapidly wind up with more necklaces and other jewels than they're capable of wearing at one time. They generally won't wear them all into the ring, but in their off hours they've got jewelry coverage to rival Mr. T. Otherwise, though, they basically wear the loin guard and the boots. The canon indicates that while most of the dancers have their clothing from home, they never actually wear it in the Labyrinth.

They're not the only ones in their canon who wear very little. Her canon repeatedly points out that the men of Crete tend to wear breeches or loin-guards or a small fringed kilt and not much else. The unmarried women wear flowing skirts and open bodices on top, and when I say 'open' I mean 'not safe for work in any way': http://www.nmia.com/~jaybird/ThomasBakerPaintings/images.html/minoan_costumes/Minoan_palace_scene_enlarged.jpg has a painting of these outfits. Like I said, NSFW. It's pointed out in the book that 'only the old and the infirm cover their bodies' in Crete. At one point King Minos appears in a long belted robe, but it's later revealed to the reader that he had a medical reason for that. Otherwise, it's generally accepted in her canon that if you have any kind of status, or if you're a bull dancer, very little clothing is the standard.

So what does this mean from a practical point of view? Essentially, that unless her post specifically says otherwise, Thalestris is going to need either a blanket or an emergency shirt or something the instant she walks into Milliways. Once she's performed in the bull-dance a time or two, I plan to have a hopeless admirer send her a broad Egyptian necklace that'll be big enough to strategically cover problem areas a la the strategically placed necklaces the Na'vi women were wearing in Avatar. I'll mention that when it comes into play, I promise.

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Thalestris the Sauromantian

June 2012

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